This blog is mostly reblogs, so get ready for old posts. I'm also getting into image editing, so if you wanna either follow that or blacklist, it's under #my edits. (Title quote is from one of the older episodes of The Adventure Zone, and the header image is from the Ancient Magus Bride!)
i hate how they market alexa as a ‘member of the family’ like that’s SO fucking blatantly insidious and terrifying also if i wanted an untrustworthy/cold/emotionless machine in my life i’d just talk to my fuckin father
This is the best scene in the entirety of IZ imo it’s literally perfect
according to the staff commentary for this episode, the script actually called for heavy traffic to be rushing past Dib and Zim in this scene, which is why they’re shouting at each other, and you can even still sort of hear the sound effects
but then, for whatever reason, in the finished episode they just
“As the Bechdel Test began to creep into the sightline of mainstream movie criticism, it was notable to see the surprise of some male critics that their favorite movies—One Flew Over the Cuckoo’s Nest, Goodfellas, The Princess Bride, Clerks, the original Star Wars trilogy, the entire Lord of the Rings trilogy, and even Tootsie, when you get right down to it—so soundly flunked it. For many women, the reaction was more of a shrug, along with relief that, finally, there was a simple way to help writers and directors step over an embarrassingly low baseline. To be clear, applying the rule isn’t about snatching away the well-earned status of Raging Bull or The Godfather or even This Is Spinal Tap. As Anita Sarkeesian, creator of the Web site Feminist Frequency, noted in a 2009 video about the rule, “It’s not even a sign of whether it’s a feminist movie, or whether it’s a good movie, just that there’s a female presence in it.” The latter point is something that many people fail to grasp when trying to explain away why their favorite movies don’t pass the test (“But Batman is the hero of the movie! Of course the women characters are going to talk about him!”): the Bechdel Test is not a judgment of quality or nuance. After all, the beautiful, moving Gravity fails the test, while a formulaic rom-com like 27 Dresses passes with no problem. But the test itself is a simple, bloodless assessment of whether female characters are deemed important to a story—and a way to conclude that, most of the time, they aren’t.”
— We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement (Zeisler, Andi)
This makes me happy that it has an explanation, because too many people misunderstand the point of the test. “It sets the bar too low!” They say. That’s the point. It’s the lowest bar possible and many movies can’t pass it.
